The Cement Garden as an Allegory of Modernity

Min ZHANG, Su CHAI

Abstract


 This thesis concentrates on the analysis of Ian McEwan’s controversical work The Cement Garden. By referring to Walter Benjamin’s theory of allegory, especially his illustrations of fragmentation and melancholy, this thesis will analyze the fragmentary images of ruins, death and corpse and the fragmentary time presented in it; meanwhile, it will explore the alienated human relationship, the identity crises and the barren spiritual state of modern people under the melancholic gaze. Through the analysis, the author elucidates that that The Cement Garden is not a “revolting novel ” as some critics claimed, but can be called an allegory of modernity in the modern cultural context. 


Keywords


Ian McEwan; The Cement Garden; Allegory; Modernity

Full Text:

PDF

References


Benjamin, W. (1985). The origin of German tragic drama, In J. Osborne (Trans.). London: Verso.

Benjamin, W. (1999). The arcade project, In E. Howard, & M. Kelvin (Trans.). Cambridge: Harvard University Press.

Bloomfield, M. (1972, Winter). Allegory as interpretation. New Literary History, 3(2), 301-318.

Bradbury, M. (2004). The modern British novel 1878-2001. Beijing: Foreign Language Teaching and Research Press.

Dunn, R. (1998). Identity crises: A social critique of postmodernity. London: University of Minnesota Press.

Haffenden, J. (1985). Novelists in interview. New York: Methuen & Co. Ltd.

Lewis, P. (1991). Contemporary novelists, In H. Lesley (Ed.). Chicago and London: St. James Press.

McEwan, I. (1978). In between the sheets. London: Jonathan Cape.

McEwan, I. (1989). A move abroad. London: Pocador.

McEwan, I. (1996). The cement garden. London: Jonathan Cape.

Moran, J. (2003, July). "Criticism: Benjamin and Boredom." Critical Quarterly, 45(1), 168-181.

Roger, A. (1996) “Ian McEwan’s Portrayal of Women.” Forum for Modern Language Studies, 32(1),11-26.

Slay, J. (1996). Ian McEwan. Boston: Twayne Publishers Inc..

Spacks, P. (1995). Boredom: The literary history of a state of mind. Chicago University of Chicago Press.

Strommen, M. (1968). "Alienation, gratification and disenchantment." Regelious Education 64 (5), 362-368.

Wolin, R. (1982). Walter Benjamin: An aesthetic of redemption. New York: Columbia University Press.




DOI: http://dx.doi.org/10.3968/10826

Refbacks

  • There are currently no refbacks.


Copyright (c) 2019 Su CHAI

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard


Reminder

How to do online submission to another Journal?

If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; sll@cscanada.net; sll@cscanada.org

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mailoffice@cscanada.net; office@cscanada.org; caooc@hotmail.com

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture