The Linguistic Study of Gong Xunming’s Ceramic Painting Art

Jingyi SUN, Lun WANG, Xiaoping YU, He ZI

Abstract


Gong Xunming is an artist who devotes to ceramic painting art and sticks to his artistic pursuit. His innovation and exploration in ceramic painting art are forever vigorously progressive. Gong commits all his efforts to seek for artistic innovation and newer, higher objectives, without hesitation and never off the track. He shakes off the bondages of nature and traditions. Everything in his paintings faces the sharp contradiction between reality and imagination. His technique of balancing colors gestates the potential genes for modern and future styles. Gong transforms the natural images into abstract ones, and makes them the language to express surreal forms. The new style of his works represents new artistic language and a new world view.


Keywords


Artistic language; Ceramic painting; Ceramic phraseological revolution

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References


Gong, X. M. (1986). Thoughts on creating The Green Mountain. Ceramic Studies, 7(3), 2.

Gong, X. M. (1988). To discuss again on ceramic carving. Ceramic Studies, 9(1), 4-5.

Long, D. M. (2007). The formation of personal artistic language of ceramic artists. Jingdezhen Ceramics, 17(4), 12-13.

Yang, X. P. (2011). Thought fragments of the phraseological structure in painting language. Art Education, (7), 42-43.

Yu, l. P., & Yu, J. W. (2006). Analysis of the cultural and spiritual elements in Gong Xunming’s ceramic art. Ceramic Studies, 42(9), 45-46.

Yu, M. Z. (2006). On the linguistic state in ceramic paintings. Jingdezhen Ceramics, 17(1), 30-31.

Zi, H. (2013). Waiting for the coming era. Chinese Ceramic Artists, (2), 64-78.

Zi, H. (2010). Discuss the width of the art presentation in classical context. Oriental Art, (11), 118-121.




DOI: http://dx.doi.org/10.3968/%25x

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