An Analysis of the Aesthetic of Imaginative Space in Sculpture

Ying LI

Abstract


Sculpture is a form of art with diverse expressions, and the concept of space in sculpture has become increasingly complex, gaining significant attention from artists. Artists are no longer solely focused on the simple expression of shapes and the relationships between forms; they now seek spiritual elevation through the space in sculpture. In the field of sculpture creation, the expression of imaginative space has gradually become one of the most important factors. Many sculptors, both domestic and international, make full use of imaginative space to enrich and perfect the language of sculpture. By cleverly utilizing imaginative space, the meaning and depth of sculpture can be enhanced. Understanding the concept of imaginative space, learning from the perspectives and practices of artists in this regard, and both inheriting and innovating are essential. Starting from the characteristics of imaginative space, artists should inherit and innovate in their understanding and use of space, incorporating space appropriately into their own sculpture creations. Recognizing and exploring the imaginative space of sculpture, appreciating the dynamic changes of this space, and experiencing its unexpected outward expansion force, absorbing power, and unique sense of mystery are important aspects. Understanding the role and effect of space in sculpture creation helps artists appreciate its significance. Imaginative space, as an essential component of sculptural space, is indispensable in the creative process. Only through conscious and intentional use can one explore the greater potential of sculpture creation.


Keywords


Sculpture; Sculpture Art; Space; Imagination; Imaginative Space

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References


Xu, Z. L. (2013). Shikong Ming: A Collection of Sculpture Art Essays. Guilin: Guangxi Normal University Press.

Xu, Z. L. (2007). Sculptural Construction Beijing: Tsinghua University Press.

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Cox, C. (2014). Contemporary Western Sculpture (Y. Yi, Trans.). Shanghai: Shanghai People’s Publishing House.

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DOI: http://dx.doi.org/10.3968/13606

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