Americans’ Eastward Journey - Intercultural Communication in The Portrait of a Lady
Abstract
In the late 19th century, a heat of travel abroad especially to Europe arose among Americans. With The portrait of a Lady, noted for its international theme as the research subject, this paper intends to interpret some leading causes including context, prejudice and ethnocentrism resulting in cultural conflicts. Meanwhile, a closer observation will be given to the process and types of cultural adaptation, containing culture shock, assimilation and integration. This paper, lastly, expresses that a more smooth intercultural communication is urgently needed for an ideal culture integration.
Keywords
Full Text:
PDFReferences
Adler, N. (1997). International dimensions of organizational behavior. Cincinnati: South-Western College Publishing.
Ash, B. S. (1990). Frail vessels and vast designs: A psychoanalytic portrait of Isabel Archer. New Essays on ‘The Portrait of a Lady’ (pp.123-162).
Berry, J.W. (2005). Acculturation: Living successfully in two cultures. International Journal of Intercultural Relations, (6), 697-712.
Bolinger, L. (2011). “Poor Isabel, who had never been able to understand Unitarianism!”: Denominational Identity and Moral Character in Henry James’s The Portrait of a Lady. The Henry James Review, (4), 160-177.
Chen, L. (2002). The idea of freedom on Henry James’s The Portrait of a Lady. Foreign Literature Studies, (1), 80-86, 172-173.
Cheng, S. Q. (2013). The initiation guide of Isabel in The Portrait of a Lady. Journal of Huzhou Teachers College, (4), 26-29, 40.
Dai, X. M. (2006). Between tradition and Modernness: Henry James’s theory of fiction. Beijing: Social Sciences Academic Press.
Dai, X. M. (2008). Suffering, knowledge and duty: the ending of The Portrait of a Lady Reconsidered. Foreign Literature Review, (1), 37-48.
Despotopoulou, A. (2014). “No natural place anywhere”: Women’s precarious mobility and cosmopolitanism in James’s Novels. The Henry James Review, (2), 141-156.
Ding, P. (2009). An interpretation of European and American cultural conflicts in Henry James’ Novels. Jiangxi Social Sciences, (6), 118-121.
Edel, L. (1963). Introduction to The Portrait of a Lady. Boston: Boston Press.
Fessenbecker, P. (2011). Freedom, self-obligation, and selfhood in Henry James. Nineteenth-Century Literature, (1), 69-95.
Follini, T., & Horne, P. (2008). Introduction: Henry James in the modern world. The Cambridge Quarterly, (1), 1-2.
Fu, S. Q., & Yuan, X. S. (2014). Spatial construction in Henry James’ fiction: A case study of The Portrait of a Lady and The Americans. Foreign Literature Studies, (6), 67-73.
Hall, E. T. (1976). Beyond culture. New York: Doubleday.
Hu, J. B. (2013). Isabel’s marriage choice: A metaphor of reading. Foreign Literature Studies, (3), 25-33.
Hu, J. B. (2014). New Woman’s dilemma: With Isabel. The Portrait of a Lady as an example. Journal of Xi’an International Studies University, (1), 94-97.
James, H. (2011). The portrait of a lady. Beijing: China Translation & Publishing House.
Laird, J. T. (1981). Cracks in precious objects: Aestheticism and humanity. The Portrait of a Lady. American Literature, (4), 643-648.
Lamm, K. (2011). A future for Isabel Archer: Jamesian Feminism, Leo Bersani, and aesthetic subjectivity. The Henry James Review, (3), 249-258.
Leavis, F. R. (2002). The great tradition. Translated by Yuan Wei. Beijing: SDX Joint Publishing Company.
Macionis, J. J. (1998). Society: The Basics. New Jersey: Prentice-Hall.
Mao, L. (2009). Reconstruction of freedom: Marriage and self. The Portrait of a Lady. Foreign Literatures, (1), 46-55.
Moghadam, D. M., & Yahya, W. R. W. (2014). Depicting the contrast between America and Europe through symbolic characters in The Portrait of a Lady. International Letters of Social and Humanistic Sciences, (22), 15-19.
Ouzgane, L. (2001). Desire, emulation, and envy in “The Portrait of a Lady”. Journal of Violence, Mimesis, and Culture, (8), 114-134.
Ryan, M. E., & Twibell, R. S. (2000). Concerns, values, stress, coping, health and educational outcomes of college students who studied abroad. International Journal of Intercultural Relations, (4), 409-435.
Samovar, L. A., Porter, R. E. & McDaniel, E. R. (2009).Communication between cultures. Boston: Wadsworth.
Satak, G. (2008). Evil in The Portrait of a Lady: The existentialist James. The International Journal of the Humanities, (6), 109-116.
Slyck, P. V. (2013). Isabel Archer’s “Delicious Pain”: Charting Lacanian Desire. The Portrait of a Lady. American Imago, (4), 633-661.
Tang, Y. (2018). The world in window: on the theme of “Seeing” in The Portrait of a Lady. Foreign Literature, (3), 159-167.
Wang, Y. H., & Xing, Z. L. (2017). On the combination of realism and modernism in Henry James’s The Portrait of a Lady. Foreign Languages and Their Teaching, (3), 138-145,151.
Zhang, R. W. (2002). An interpretation of intercultural communication in The Portrait of a Lady. Zhejiang Academic Journal, (2), 204-207.
Zhang, R. W. (2013). Contradiction and Unification in The Portrait of a Lady. Foreign Language and Literature, (3), 13-16.
Zhang, X. M., & Gui, B. (2017). Tenderness torn in the whirlpool of contradictions: With The Portrait of a Lady for example. Academics, (5), 237-244, 328.
DOI: http://dx.doi.org/10.3968/11859
Refbacks
- There are currently no refbacks.
Copyright (c) 2020 Binyun Wang
This work is licensed under a Creative Commons Attribution 4.0 International License.
Remind
We are currently accepting submissions via email only.
The registration and online submission functions have been disabled.
Please send your manuscripts to ccc@cscanada.net,or ccc@cscanada.org for consideration. We look forward to receiving your work.
Articles published in Cross-Cultural Communication are licensed under Creative Commons Attribution 4.0 (CC-BY).
CROSS-CULTURAL COMMUNICATION Editorial Office
Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:caooc@hotmail.com; office@cscanada.net
Copyright © Canadian Academy of Oriental and Occidental Culture