On the Timbre of the Piano Music

Da-wei YAN


This paper explains clearly the conception of timbre, and analyses theoretically the reasons why the timbre of piano changes. By closely connected with teaching work, the author corrects some errors in the application of timbre and offers some good advice in mastering this concept in teaching. Key words: Frequency, ground note, harmonic, compound tone, timbre Résumé: Ce texte explique la définitin de timbre dans un langue simple et claire , et ensuite analyse , sur le plan théorique , la raison pour laquelle le timbre du piano varie . Etroitement lié à la pratique de l’enseignement , ce texte redresse quelques erreurs de la conception du timbre dans l’application , tout en donnant des conseils utiles pour bien la maîtriser dans l’enseignement . Mots-clés: fréquence , ton fondamental , harmonique , ton composé , timbre 摘要:文章圍繞音色的定義周密地進行了深入淺出地解讀,進而從理論上分析了鋼琴音色產生變化的原因。文章密切聯繫教學實際,糾正了在音色概念應用上出現的一些偏差,並針對教學中應如何把握這一概念提出了一些有益的建議。 關鍵詞:頻率;基音;泛音;複合音;音色

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DOI: http://dx.doi.org/10.3968/j.ccc.1923670020050101.014


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Copyright (c) 2010 Da-wei YAN

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