Study on Craft Culture and Features of Shandong Lu Brocade of China

Dahai WANG

Abstract


China is one of the nations producing manual textiles at the earliest. With a history of a thousand years in southwest area of Shandong in China, Lu brocade is mainly distributed in Jining, Heze and other areas. As a kind of folk manual cotton textile in Shandong, Lu brocade takes cotton as main raw material, and adopts manual spinning, manually dyeing, and manual weaving, achieving colorful cloth, just like brocade and embroidery. This is why it is called Lu Brocade. The reason for Lu brocade to be passed on from generation to generation concerns a lot of the folk marriage of Shandong area. There are eight parts in its main process: spinning, dyeing thread, starching thread, wrapping, healding, crossing column, spindling, and weaving. Each process is divided into several sub-processes. Technically it can be mainly categorized into jersey technique, jacquard technique, tuck stitch technique, incision-making technique and package flower technique. For Lu brocade, jersey is the basic technique and jacquard is the core technique. Lu Brocade has distinct local specialty and practical value. Currently intangible cultural heritage protection is widely concerned, we should develop market, plan package, and conduct publicity and marketing for Lu Brocade, so as to promote the industrialized operation of the splendid traditional culture. Practice of several decades proves that the R&D and promotion of Lu Brocade products have affected the quality of Chinese manual textiles and people’s life in a positive manner.


Keywords


Lu brocade; Regional feature; Brocade craft

Full Text:

PDF

References


Jin, S. (1996). Talking about the ancient merchant signboards. Journal of Literature and History, (6), 57-58

Li, M. L. (2003). A collection of Chinese folk culture. Wuhan, China: Hubei Fine Arts Press.

Li, B. J. (1987). On-the-spot record of brocade development in southwest area of Shandong province. Qilu Realm of Arts, (1), 13-16.

Zhang, D. Y., & Lian, X. C. (1987). Beauty in the world. Beijing: Beijing Arts and Crafts Press.

Zhao, H. S. (1997). Ancient Chinese textile and printing and dyeing. Beijing: Commercial Press.




DOI: http://dx.doi.org/10.3968/9673

Refbacks

  • There are currently no refbacks.


Copyright (c) 2017 Dahai Wang

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


Reminder

  • How to do online submission to another Journal?
  • If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

  • Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Online Submission: http://cscanada.org/index.php/ccc/submission/wizard

  • Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
  • We only use four mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; office@cscanada.net; ccc@cscanada.net; ccc@cscanada.org

 Articles published in Cross-Cultural Communication are licensed under Creative Commons Attribution 4.0 (CC-BY).

 CROSS-CULTURAL COMMUNICATION Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail:caooc@hotmail.com; office@cscanada.net

Copyright © Canadian Academy of Oriental and Occidental Culture