“I Would I Had No Tongue, No Ears”: Oral, Aural and Sexual Openness in Heywood’s A Woman Killed With Kindness
Abstract
Following historicist and materialist feminist criticisms, material food studies and the cultural attitudes towards food and female speech and hearing in early modern England, I argue that Thomas Heywood’s A Woman Killed with Kindness (1607) dramatises the interrelatedness of oral, aural and sexual appetites. I contend that Anne’s oral, aural and sexual openness to Wendoll is a complex form of subversive complicity; she subverts the authority of her husband while obeying him in submitting aurally and sexually to Wendoll whom Frankford invites to use his table and unconsciously his wife. I argue that Heywood perceived appetite as an instrument for revenge, penitence, and redemption. While Anne’s aural and oral openness to Wendoll’s seductive speech leads to her sexual openness, I explain that her self-imposed punishment of self-starvation is an oral revenge in which she consumes the flesh that has bred her sin. I argue that Anne’s starvation is an act of political resistance against a patriarchal society that uses food and eating as forms of control.
Keywords
Full Text:
PDFReferences
Appelbaum, R. (2006). Aguecheek’s beef, belch’s hiccup, and other gastronomic interjections: literature, culture, and food among the early moderns. Chicago and London: The University of Chicago Press.
Bakhtin, M. (1968). Rabelais and his world (H. Isowolsky, Trans.). Cambridge: MIT.
Bennett, L. (2000). The homosocial economies of a woman killed with kindness. Renaissance and Reformation, 24(2), 35-61.
Bowers, R. (1984). A woman killed with kindness: Plausibility on a smaller scale. Studies in English Literature, 24(2), 293-306.
Brathwait, R. (1631). The English gentlewoman. London: Theatrum Orbis Terranum Ltd.
Bryan, M. B. (1974). Food symbolism in a woman killed with kindness. Renaissance Papers, 9-17.
Bynum, C. W. (1987). Holy feast and holy fast: The religious significance of food to medieval women. California: University of California Press.
Callaghan, D. (1989). Women and gender in renaissance tragedy: A study of king lear, othello, the duchess of malfi and the white devil. Atlantic Highlands: Humanities Press.
Christina L. (2002). A moving Rhetoricke: Gender and silence in early modern England. Manchester: Manchester University Press.
Comensoli, V. (1996). “Household business”: Domestic plays of early modern England. Toronto, Buffalo, London: University of Toronto Press.
Dolan, E. (2008). Marriage and violence: the early modern legacy. Philadelphia: University of Pennsylvania Press.
Findlay, A. (1999). A feminist perspective on renaissance drama. Oxford: Blackwell.
Frey, C., & Lieblen, L. (2004). “My breast sear’d”: The self-starved female body and a woman killed with kindness. Early Theatre, 7(1), 45-66.
Green, R. (2005). Open ears, appetite, and adultery in a woman killed with kindness. English Studies in Canada, 31(4), 53-74
Gutierrez, N. A. (2003). Shall she famish then? Female food refusal in early modern England. Burlington: Ashgate.
Heywood, T. (1961). A woman killed with kindness. In F. R.W. Van (Ed.). London: Methuen and Co Ltd.
Keeble, N. H. (Ed.). (1994). The cultural identity of seventeenth - century woman: A reader. London and New York: Routledge.
Kilgour, M. (1990). From communion to cannibalism: An anatomy of metaphors of incorporation. Princeton: Princeton University Press.
Mcquade, P. (2000). “A labyrinth of sin”: Marriage and moral capacity in Thomas Heywood’s a woman killed with kindness. Modern Philology, 98, 231-250.
Newman, K. (1991). Fashioning femininity and English renaissance drama. Chicago: University of Chicago.
Panek, J. (1994). Punishing adultery in a woman killed with kindness. Studies in English Literature, 34(2), 357-78.
Richardson, C. (2006). Domestic life and domestic tragedy in early modern England: The material life of the household. Manchester and New York: Manchester University Press.
Sawday, J. (1995). The body emblazoned: Dissection and the human body in renaissance culture. London: Routhledge.
Stallybrass, P. (1986). Patriarchal territories: The body enclosed. In M. Ferguson, M. Quilligan & N. J. Vickers (Eds.), Rewriting the renaissance: The discourses of sexual difference in early modern Europe (pp.123-42). Chicago: University of Chicago Press.
Vandereycken, W., & Deth, R. V. (1994). From Fasting saints to anorexic girls: The history of self-starvation. London: The Athlone Press.
Wall, W. (2002). Staging domesticity: Household work and English identity in early modern drama. Cambridge: Cambridge University Press.
Woodbridge, L. (1994). The scythe of Saturn, Shakespeare and magical thinking. Urbana: University of Illinois Press.
DOI: http://dx.doi.org/10.3968/8772
Refbacks
- There are currently no refbacks.
Copyright (c) 2016 Bilal Tawfiq Hamamra
This work is licensed under a Creative Commons Attribution 4.0 International License.
Remind
We are currently accepting submissions via email only.
The registration and online submission functions have been disabled.
Please send your manuscripts to ccc@cscanada.net,or ccc@cscanada.org for consideration. We look forward to receiving your work.
Articles published in Cross-Cultural Communication are licensed under Creative Commons Attribution 4.0 (CC-BY).
CROSS-CULTURAL COMMUNICATION Editorial Office
Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:caooc@hotmail.com; office@cscanada.net
Copyright © Canadian Academy of Oriental and Occidental Culture