Where the Heart Is: The Concept of “Home” in Leila Aboulela’s Short Fiction

Eiman Abbas H. El-Nour

Abstract


In most of her works, Leila Aboulela focuses on Sudanese characters in the diaspora. Her protagonists are usually young Sudanese migrants who had left home in search of a better life abroad, or to escape a desperate reality at home. In this journey, they live in a constant state of exile: the new abode fails to become home, and they are left existing in a state of suspension between the new reality and a past they are emotionally and spiritually stuck in. This paper tackles the concept of home in its actual and virtual manifestations through the lives of her short stories protagonists, their quest for one’s identity and keeping (or losing) it when confronting the other.
The female characters are found to be more solid than their male counterparts in their nostalgia and attachment to the original home and its values. This enabled them to keep the fabric of their identity intact. When confronting the other, or when engaging in a relationship, “things do not fall apart” in this encounter. In fact, the other has to compromise to be accepted. This contrasts with the male characters, who are easily assimilated in the new environment, but not without a faint sense of guilt and a fair share of self-deception.


Keywords


Aboulela; Exile; Homeland; Identity; Migration; Other

Full Text:

PDF

References


Anonymous. (2014). Exclusive Interview: Leila Aboulela – Perspectives of a Literary Artist. 500 Words Magazine. [Online]. Retrieved from http://500wordsmag.com/interviews/exclusive-interview-leila-aboulela-perspectives-of-a-literary-artist/#sthash.T2pI9GLA.dpuf.

Aboulela, L. (2005). Coloured lights. Edinburgh: Polygon.

Anderson, B. (2006). Imagined communities. London: Verso.

Jones, E. (1983). Recent trends in the novel. African Literature Today, (13).

Jones, E. (1983). Critical theory & African literature today. London: James Curry.

King, B. (1992). The Commonwealth writer in exile. In Rutherford. (1992), pp.39-43.

Killam, G. D. (1984). The writing of east and central Africa. Nairobi: Heinemann Educational Books.

Makuchi, J. N.-A. (1997). Gender in African women’s writing. Bloomington and Indianapolis: Indiana University Press.

Rutherford, A. (Ed.). (1992). From Commonwealth to post-colonial. Sydney: Dangaroo Press.

Sethi, A. (2005, June 5). “Keep the faith” (interview with Abouela). The Observer. [Online]. Retrieved from http://www.theguardian.com/books/2005/jun/05/fiction.features2

Stratton, F. (1994). Contemporary African literature and the politics of gender. London: Routledge.




DOI: http://dx.doi.org/10.3968/8756

Refbacks

  • There are currently no refbacks.


Copyright (c) 2016 Eiman El-Nour

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


Remind

We are currently accepting submissions via email only.

The registration and online submission functions have been disabled.

Please send your manuscripts to ccc@cscanada.net,or  ccc@cscanada.org  for consideration. We look forward to receiving your work.

 

 Articles published in Cross-Cultural Communication are licensed under Creative Commons Attribution 4.0 (CC-BY).

 CROSS-CULTURAL COMMUNICATION Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail:caooc@hotmail.com; office@cscanada.net

Copyright © Canadian Academy of Oriental and Occidental Culture